2013年6月17日 星期一

Guts Using Only Paper

Remember those human anatomy kits you used in high school to learn about the inner workings of our bodies? Made from hard, dull-colored plastic, they did little justice to the beautiful intricacies of human innards. Thanks to Australian artist Horst Kiechle, theres now a more artful option out there for those of you who didnt get enough in Anatomy 101. Using white card stock, scissors and some glue, Kiechle created an anatomically-correct model of the human torso with removable organs. 

In an interview with My Modern Met, Kiechle explained his process, which started by creating 3D software that allows him to design the foldable, polygon patterns of the torso and organs. From there he prints the designs onto card stock and cuts them out before embarking on the tedious process of folding the horizontal and vertical strips into the shapes of a heart, pancreas, stomach, lungs and all those other organs that keep us kicking.Compare prices and buy all brands of cableties for home power systems and by the pallet. Kiechle said the most difficult part of the project was making sure the organs fit properly into the torso and had enough room to be removed and replaced, noting that the heart has a tendency to fall out if the torso gets knocked. 

The artist, who is know for his archisculptures, originally began working on Paper Torso in 2011 for the Science lab of the International School Nadi in Fiji, where it was to be used by students in an anatomy class. The response to the geometric body was so overwhelmingly positive that he decided to make the patterns and instructions available for free on his website, so anatomy set enthusiasts everywhere could make their own version. 

That is just the beginning, of course. In the creation of sacred places or performing arts and commercial settings, essentially all of the operations and limitations of human vision are being exploited. Toward one very effective extreme are such spectacles as the sparkling signs and saturated colors of entertainment places, or the scintillating light of a white ballroom or flashing disco mirrors, or the brilliant stained glass light in cathedrals. By simultaneously exciting every point on a retina and overloading the visual system C dazzling the eyes C the mind is disoriented as it struggles to find order in the bewildering flow of sensations and information. 

Then, with senses on full-alert,You can design your cleanersydney or select one of our pose. but still confused, we seem to reach out C even if only for a short time C to imagine a new order C new rules C for a new world C one that does make coherent sense. The cathedral builders saw that other world in light itself C light as a divine substance, a divine presence in super-natural soaring weightless space. For others, its in the body chemistry of an intoxicating party-mood and earthy, hyper-natural world of Las Vegas, with its own rules CWhat happens in Vegas stays in Vegas. Both create settings C environments C that invite experiences of rare pleasure C a release, an escape from habitual, imposed day-to-day patterns C in one case, a profound religious experience, and in the other, a new-found sense of wealth and uninhibited freedom of action. 

As body chemistry evolved within the planets cycle of sunlight and darkness, it came to produce parallel rhythms of survival-based hormones. Melatonin, prompted by darkness and inhibited by light, especially sunlight, and responding to receptors on the retina, induces a daily rhythm of waking and sleeping C a time when other exhausted receptors, muscles, and neural connections are typically refreshed by disengaging, by hibernating. Sensing that transition in a secure setting seems to be one of the pleasures of sunrises and sunsets. In any case, sleep brings on a very real vulnerability, and we seek out, often urgently, places where protection and warmth provide refuge. Sheltered resting-sleeping places are probably half of our indoor built environment, and, no matter what other symbols they embody, in daily life we tend to approach them with a narrow, demanding,Have a look at all our cleaningsydney models starting with free proofing. survival-based mental set C a defensible perimeter, elevated and secluded, with enough light indoors and out to feel the security of the place. 

A similar body-chemistry tends to be produced when we find ourselves temporarily confined in an unchanging setting. As sense receptors are fatigued by concentration and repetition, the drowsy consequences frustrate everyone involved.You can design your cleanersydney or select one of our pose. Its going to happen, but daylight alone can change the chemical mix C just as food and drink, coffee breaks and exercise do. Accordingly, in the otherwise handbook-perfected work places, conference centers, museums, and many new schools C places where people spend long hours staying alert C designers have been able to recharge a body-state within those spaces with exposure to natural light C to real sun, sky,Other companies want a piece of that drycabinet action and shadows and the refreshment inherent in the cycles of daylighting of the natural world. 

Light, open and airy feels like a refreshing release, but the night has other pleasures. Darkness, when eyes are disabled, sharpens both the other senses and the minds eye C inviting fantasy and imagination. And the presence of darkness and dimly lit places tends to arouse other predilections and stir other mixes of hormones C producing other priorities C that compete with, and can overwhelm the melatonin in a bloodstream. Both the fear-of-the-dark C the uncertainty about mysteries and hidden dangers C and a consuming ambition to extend the time we can work, move, and play in daylight, have resulted in brightly lit twenty-four hour habitats. But, at the same time, we build places with low light levels where we can hide ourselves from observation and distractions but without feeling confined. By losing the ceiling and walls of a larger space in darkness, and introducing a small, soft, warm source that lights up a foreground of faces C in candlelight, at a campfire, around a card table C designers create feelings of seclusion and a private intimacy with the accompanying body states that favor confidentiality and trust, daring and risk-taking, persuasion, and seduction. In other words, with changing light, sleep is overruled by more immediate challenges to survive, win, and prosper.