If you've been in San Francisco for any significant amount of time, chances are good that you've at least heard of the Frequency 8 crew. Since the '90s, the outfit's done a lot to further the position of trance in the Bay Area via its lavish raves, record label, and now-shuttered Haight street record store. Not being too familiar, I enlisted the help of a good friend of mine who grew up in the genre. I asked him if he wanted to to go the party, and his response captured the theme of enthusiasm that began to course through the rest of the night: "F-8!? No way! I used to drive down from Sac just to go to their parties, that's what got me into dance music!"
We had a group of
about five situated in the middle of a packed dancefloor at DNA Lounge.
We stood out like sore thumbs, wearing drab clothes next to the
clubland equivalent of a tropical aquarium. Everywhere there was
eye-piercing color: neon blue, bright red tracing off the edge of a
light glove, flashes from highlighter yellow glowsticks, and mounds of
multi-colored "kandi" bracelets -- fog did little to obscure the rest.
The music was melodically lush, but played at an arrhythmia-inducing
speed. It was trance. The DJ, Thomas Datt, moved like an orchestra
conductor, emulating the superstars of the late-'90s with carefully
chosen poses that gave the illusion he was controlling every element
from the patter of high-hats to the genre's tell-tale rushing drops.
Below him, a flat-white geometric construction reflected psychedelic
scenery of endless clouds, '80s vector graphic mountains,A buymosaic
is a plastic card that has a computer chip implanted into it that
enables the card to perform certain. and other assorted digital
landscapes. Two girls in white bikinis and feather boas walked by, their
mouths a garble of confusing rainbows generated by LED-saturated
One of the most startling things about the night was
how young everyone was. Going into this blind, I assumed that Frequency
8, being one of the older trance crews, would draw an older crowd. This
wasn't the case; instead everyone present appeared to be between the
ages of 18 and 21, with relatively few outliers -- those who were older
blended in by virtue of the kandi kid subculture's fixation on pre-teen
accoutrements. This had a nice fringe benefit in that none of the bars
were ever busy, though I imagine that says more about the consensus
choice of substance than anything else. Age aside, it was a very diverse
crowd, with the aforementioned kandi kids mingling easily with a misfit
assortment of anime otaku, unabashed Redditors, furries in full garb,
and a troop of people clearly invested in totally losing their minds.
as a musical genre, when listened to for long enough in a club setting,
has a weird effect at high volume. It sucks you into its swirling
melodies and ambient wafts of synthesizer. It's immersive in a way
that's similar to techno, though the feeling is more dreamy. At the
front of the room, a small group of partiers rested standing against the
stage with their heads tucked into their arms. I felt my own
consciousness drift away into the music, catching myself five or 10
minutes later almost dozing off to the monotonous ebb and flow of the
rush. It was at that point that we decided to gather our wits and leave
the main room for a while to visit "The Observation Deck," the party's
second room dedicated to hardcore, gabber, and drum 'n' bass.
not the most eloquent notetaker while out reviewing these parties.
Looking back though, my one sentence about the upstairs room seems
relevant: "worm of pure energy, drilling thru my ear." This was indeed a
much more hardcore experience than the comparatively pleasant dream
music of the main room.Get the led fog lamp products information, find aluminumfoiltape,
manufacturers on the hot channel. It was pure aggression, with a
similar crowd hyping themselves up and pogoing to blasting hits of 180
BPM+ hardcore. The DJ, whose name I didn't catch, mixed these sounds on
the fly in truly old-school fashion with the crustiest looking box of
vinyl records I've seen in the wild. Hyper remixes of Skrillex's "Scary
Monsters and Nice Sprites" mingled with more esoteric fare, but proved a
huge hit with a dancefloor that rarely wavered throughout the night.
Eventually the music switched, moving towards futuristic interpretations
of drum 'n' bass with little bits of dubstep thrown in for good
measure.Need a compatible parkingassistsystem
for your car? The aggression was awesome, but even better was the
earnest party spirit and unironic punk ethos that filled the air.
the time we made it back to the main room, the tempo had caught up with
the music upstairs. Now it was Scott Brown on the decks and he was
working fast to cram in as many heavy-hitting hard-trance tracks as he
could before the 2 a.m. cutoff. Booming hoover basses and near
incomprehensible kick drum patterns flashed from the subwoofer in
five-minute blurts before melting into gooey synth pads played
beatlessly as interludes. With each track he pushed faster, playing a
string of tracks that included Captain Tinrib vs Mars & Mystr?'s
"Save the Rave," Art of Trance's "Madagascar," and Mars' "Pachelbel
8000." Throughout it all he wove in a repeating spoken word vocal that
affirmed again and again, "You're rocking with the best!"
got burned on their sensationalist claims that hydraulic fracturing
caused flaming faucets. They were sunk by their own studies showing that
fracking was responsible for groundwater contamination. They've sent in
the Justice Department to harry the biggest names in the industry over
so-called anti-competitive practices. Now the government's newest
assault on the practice comes from the Occupational Safety and Health
Administration, which is proposing new, stricter regulations on the sand
that's used in the fracking process.
Fracking, which has been
done for more than 60 years, is a process in which drillers pump large
amounts of water, fluids, and chemicals deep into the ground under high
pressure and cause the shale rock to crack. The fluids contain sand or
ceramic beads called proppants that prop open the fissures and allow the
gas and oil to flow more freely.
But as the practice has grown
exponentially, environmental activists and regulators suggest that the
sand itself presents a health hazard to workers much the way asbestos
does.You've probably seen doublesidedtape1
at some point. Silica isn't like beach sand, but rather is a much
finer, purer material. Imagine clouds of dust billowing up when a saw
cuts through concrete, and you get the idea of what they're suggesting
workers are breathing in.
While the Obama administration
estimates 700 lives a year can be saved by putting new rules in place,
industry representatives say the current regulations already adequately
protect workers because they reduce or completely eliminate the risk of
breathing in the fine particulates. Moreover, the cost of the new regs
would be huge. The new rules also apply to industries outside oil and
gas, and the metal-casting industry alone says they will cost about $1.5
billion annually to implement.
Under the proposal, companies
would have to cut in half the amount of silica exposure currently
allowed for general industry and maritime workers, and by 80% in the
construction industry. Part of the problem with the new rules,Our
manufactures custom steelnecklace
whether you need a short or long production run. however, is there is a
dearth of certified labs available that can measure the levels of
silica dust OSHA wants to reduce them to, though the agency has
magnanimously said it would be willing to delay the lab requirements for
two years to allow the industry to catch up.
Click on their website http://www.granitetrade.net/!